Really quickly, just cause it keeps striking me and I add more as I finish the book, many of the contentions and positions taken in this book explicitly or implicitly rely on a value system or morality supplied by Shaviro’s prejudice. While politically I tend to agree with him (though sometimes dubious of his particular pop cultural taste and/or interpretations), his critique suffers greatly from his need to inject these politics to make his points. Becomes dogmatic and highly skewe(re)d. His need to define artists as people who do things a certain way is antithetical to the point he’d like to be making i.e. making a value judgement on how “actual artists” (65) feel about copyright. Especially in light of turning almost immediately around and taking Andy Warhol’s words at face value to prove his point “every emotional state is really just a performance.” (72) How can you take Warhol at word but call Beck an ironic hipster vagrant? Who makes that cultural judgement? Shaviro. He seems to be positioning himself as the ultimate academic hipster- player and player hater. Mixing pop culture and theory is dangerous. Needs hands off approach. Del the Funky Homo Sapien, whether Shaviro knows it or not, happens to be Ice Cube’s cousin. Access/Commerce become really important. Before even considering taste. Also, I am still slightly confused by his TS Eliot association. Does he identify with the “Wasteland?”
November 7, 2008 at 1:30 pm
In Shaviro’s defense, I admire his attempt to weave all sorts of disciplines together—philosophy, pop culture, science fiction, cultural criticism, etc. I think you’re making the very value judgments that you criticize him of doing. I don’t think his text is definitive…its more of a primer. I think you should think less of what he left out, what he’s missed, and what he’s try to weave and put together.
November 7, 2008 at 4:37 pm
Chester – I hate this habit I seem to have developed of agreeing with you, but I’m afraid this is the case here.
Kevin, you’re right -is a great book and I loved every minute of it… specially the mix & match features, and the amazing way of referencing a HUGE amount of diverse material, but it does have a strong cultural / political bias. It stinks of Marxism as I am afraid also do 98% of the rest of academic theory in social sciences. I still give it plenty of thumbs up, but have to highlight this problem. It moves valuable critiques to capitalism and the financial flow of capital, the copyright issues and the surveillance, but in the same way that Tsing does in Friction, it leaves out hell of a lot of the *positives*.
I also agree with Helen on the fact that you can decide to leave out whatever you want in terms of influences like advertisment etc…. the problem becomes the one to empower people enough so that they are able to recognize these commercial tricks and intrusions. This is to do with education, but most of all with “formation”. Studying to acquire the skills to *think* not the skills to *work*.
Really pleased with these readings though… somehow they work for me